Ideal, lo

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  1. <rdf:RDF>

    1. <skos:Concept rdf:about="http://vocab.getty.edu/aat/300069306">

      1. <skos:prefLabel xml:lang="en">Ideal, the</skos:prefLabel>

      2. <skos:prefLabel xml:lang="zh">理想</skos:prefLabel>

      3. <skos:prefLabel xml:lang="nl">het Ideaal</skos:prefLabel>

      4. <skos:prefLabel xml:lang="es">ideal, lo</skos:prefLabel>

      5. <skos:altLabel xml:lang="zh">lǐ xiǎng</skos:altLabel>

      6. <skos:altLabel xml:lang="zh">li xiang</skos:altLabel>

      7. <skos:altLabel xml:lang="zh">li hsiang</skos:altLabel>

      8. <skos:altLabel xml:lang="en">the Ideal</skos:altLabel>

      9. <skos:altLabel xml:lang="en">ideal</skos:altLabel>

      10. <skos:altLabel xml:lang="zh">理型</skos:altLabel>

      11. <skos:altLabel xml:lang="zh">典範</skos:altLabel>

      12. <skos:altLabel xml:lang="zh">模範</skos:altLabel>

      13. <skos:altLabel xml:lang="zh">完美典型</skos:altLabel>

      14. <skos:broader rdf:resource="http://museovirtualfelixcanada.digibis.com//concepts/74717" />

      15. <skos:note xml:lang="en">The aesthetic quality of the permanent, essential, or eternal character of appearances or other phenomena, which is rooted in an idea of perfection or archetype. It is ultimately derived from from Plato's "Theory of Ideas," which holds that perfection is a concept that is only mirrored imperfectly in real life. This perfection was the ideal to which artists sought to strive in certain periods, styles, or contexts. The concept was particularly evident in various periods of antique art, the Renaissance, and in the 17th- and 18th-century art academies throughout Europe.</skos:note>

      16. <skos:note xml:lang="es">Úsese para la cualidad estética del caracter permanente, escencial o eterno de los fenómenos, arraigado en la idea propia de perfección del artista o perceptor.</skos:note>

      17. <skos:note xml:lang="nl">Te gebruiken voor de esthetische hoedanigheid van het permanente, essentiële of eeuwige karakter van een verschijnsel en geworteld in het eigen beeld dat een kunstenaar of waarnemer over perfectie heeft.</skos:note>

      18. <skos:note xml:lang="zh">植根於完美理念或原型中的恆常、不可缺的審美質性，或外觀、現象的恆久特質。其極致衍申自柏拉圖的「理型論(Theory of Ideas)」，該理論認為完美是一種概念在現實生活中只能以不完整的鏡像展現。此種完美是某些時期、風格與脈絡下藝術家努力追求的理想。在古代藝術期、文藝復興期、十七與十八世紀歐洲學院圈中，這是一種特別顯著的概念。</skos:note>

      19. <skos:notation>300069306</skos:notation>

      20. <skos:inScheme rdf:resource="http://museovirtualfelixcanada.digibis.com//schemas/14" />

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